Jamie F Simpson
  • Home
  • Bio
  • Film
    • Open Storage - University of Cumbria BA (Hons) Fine Art Degree Show 2018
    • a detailed account of a non event
    • The linear monologue of an absent author
    • Remember to Forget
    • Disappointment
    • Sentiment
    • Techno-Nostalgia
    • Requiem for Love
    • The Memory of War >
      • The Memory of War (The Answer is Within the Question)
      • The Memory of War (In Search of the Autobiographical Through the Cultural Collective)
      • The Memory of War (CALDEWGATE 1991-2015)
      • The Memory of War (MEMORY / IMAGE / PERCEPTION)
    • An Episode in the Life of the Artist
    • Pulvis et umbra sumus
    • Madeleine
    • Phantasmagoria
  • Text
    • Urban Reflections
    • Neon
    • I Can't Remember You
    • The Proustian Paradox
    • No Script
    • Abandoned Thoughts >
      • Abandoned Thoughts #1
      • Abandoned Thoughts #2
      • Abandoned Thoughts #3
      • Abandoned Thoughts #4
      • Abandoned Thoughts #5
    • Stop posting art without credit (Steal This)
    • Trace
    • Film Stills
    • What a difference a year makes, 2015
    • Everything is Temporary
    • Poetry/Writing, 2012 - 2018
  • Installation
    • Future Memories 2016
    • Hoc est Corpus Meum (This is my body)
    • Déjà vu >
      • Déjà vécu
    • Future Memories 2015
    • 4004
  • Photography
    • One hundred days of Lockdown
    • Ruinenlust
    • One Second Exposures, 2018
    • One Second Exposures
    • Ruined Memory
    • Burnt Memory
    • CG>BR
    • Childhood 1980 - 1996
    • Multi-exposures
    • Re-Memory
    • Summer 2012
  • Digital
    • Depression is not a Culture (DINAC)
    • Junkies on Mobility Scooters
    • Fragment ed
    • TRU mp
    • Collages
    • Various Digital Work
    • Photoshop Experiments
    • Dream Glitch
    • Sex Vs Music
  • Sculpture
    • Lost Words 2018
    • Untitled
    • Adolf Hickey
    • Water is History
    • Make the most of your memories or one day they'll be someone elses
  • Solo
    • We lose our identity when we forget
    • In Search of the Autobiographical Through the Cultural Collective
    • MEMORY / IMAGE / PERCEPTION
    • Everything is Temporary Forgotten Imagery & Fragmentary Writings 2014 - 2019
  • Site Specific
    • Pulvis et umbra sumus (visitans fisher platea)
    • Conversations of the Lost
    • The Waiting Chair
    • 2-day film concept >
      • The linear monologue of an absent author
      • a detailed account of a non event
      • Open Storage - University of Cumbria BA (Hons) Fine Art Degree Show 2018
  • Painting
    • These walls are falling down around us, they're dripping with memory
    • Dream Studies
  • Jacques Flamand de Simon
  • Contact
  • Home
  • Bio
  • Film
    • Open Storage - University of Cumbria BA (Hons) Fine Art Degree Show 2018
    • a detailed account of a non event
    • The linear monologue of an absent author
    • Remember to Forget
    • Disappointment
    • Sentiment
    • Techno-Nostalgia
    • Requiem for Love
    • The Memory of War >
      • The Memory of War (The Answer is Within the Question)
      • The Memory of War (In Search of the Autobiographical Through the Cultural Collective)
      • The Memory of War (CALDEWGATE 1991-2015)
      • The Memory of War (MEMORY / IMAGE / PERCEPTION)
    • An Episode in the Life of the Artist
    • Pulvis et umbra sumus
    • Madeleine
    • Phantasmagoria
  • Text
    • Urban Reflections
    • Neon
    • I Can't Remember You
    • The Proustian Paradox
    • No Script
    • Abandoned Thoughts >
      • Abandoned Thoughts #1
      • Abandoned Thoughts #2
      • Abandoned Thoughts #3
      • Abandoned Thoughts #4
      • Abandoned Thoughts #5
    • Stop posting art without credit (Steal This)
    • Trace
    • Film Stills
    • What a difference a year makes, 2015
    • Everything is Temporary
    • Poetry/Writing, 2012 - 2018
  • Installation
    • Future Memories 2016
    • Hoc est Corpus Meum (This is my body)
    • Déjà vu >
      • Déjà vécu
    • Future Memories 2015
    • 4004
  • Photography
    • One hundred days of Lockdown
    • Ruinenlust
    • One Second Exposures, 2018
    • One Second Exposures
    • Ruined Memory
    • Burnt Memory
    • CG>BR
    • Childhood 1980 - 1996
    • Multi-exposures
    • Re-Memory
    • Summer 2012
  • Digital
    • Depression is not a Culture (DINAC)
    • Junkies on Mobility Scooters
    • Fragment ed
    • TRU mp
    • Collages
    • Various Digital Work
    • Photoshop Experiments
    • Dream Glitch
    • Sex Vs Music
  • Sculpture
    • Lost Words 2018
    • Untitled
    • Adolf Hickey
    • Water is History
    • Make the most of your memories or one day they'll be someone elses
  • Solo
    • We lose our identity when we forget
    • In Search of the Autobiographical Through the Cultural Collective
    • MEMORY / IMAGE / PERCEPTION
    • Everything is Temporary Forgotten Imagery & Fragmentary Writings 2014 - 2019
  • Site Specific
    • Pulvis et umbra sumus (visitans fisher platea)
    • Conversations of the Lost
    • The Waiting Chair
    • 2-day film concept >
      • The linear monologue of an absent author
      • a detailed account of a non event
      • Open Storage - University of Cumbria BA (Hons) Fine Art Degree Show 2018
  • Painting
    • These walls are falling down around us, they're dripping with memory
    • Dream Studies
  • Jacques Flamand de Simon
  • Contact
Jamie F Simpson
Picture

The Memory of War #3 from Jamie F Simpson on Vimeo.

'The Memory of War' explores the relationship between text, narrative and image. With opposing contexts enquires are made into a correlation between public and private memory and the notion of a default memory within Dementia.

The Memory of War (Caldewgate 1991 -2015)
Film 2.30

The Pollyanna principle indicates that certain individuals remember pleasant memories as opposed to unpleasant ones. While people across Europe were being bombed, starved, murdered, tortured and raped there were stories of happiness within such a horrible time. These stories of happiness were some of the only memories to stay with my Gran until the day she died.

The Memory of War explores the relationship between text, narrative and image. With opposing contexts enquiries are made into a correlation between public and private memory and the notion of a default memory within Dementia.


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